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Gilberto Martínez Solares’ Satánico Pandemonium (aka: La Sexorcista, shot in 1973 and released in 1975) neatly represents this combination of smut and art, taking considerable cues from the colorful psychosexual melodrama of Black Narcissus. At least as long as they weren’t taking their cues from Nazisploitation movies and borrowing the Women in Prison (WIP) model, and trading sado-masochistic prison guards for sado-masochistic Padres or, in this case, the Devil himself. While they were obviously created to shock and incense exploitation-thirsty audiences, they tended to be elegant in their obscenity. These films gave the first couple decades of nunsploitation output something aesthetically impressive to aspire to. I assume this is because the genre has its basis in two genuinely great and celebrated motion pictures – Ken Russell’s aforementioned The Devils and, less obviously, Michael Powell & Emeric Pressburger’s Black Narcissus (1947, based on Rumer Godden’s 1939 novel). Given its subject matter, one might assume that nunsploitation would be the most salacious of the exploitation subgenres, aside from the ever-grotesque Nazisploitation, but, on average, there might actually be more artistically laudable entries than gutter trash quickies.

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In the film world, naughty nuns have existed since the silent era, when Benjamin Christensen’s occult pseudo-documentary Häxan (1922) portrayed a series of sinful sister activities, but it wasn’t until Ken Russell’s The Devils (1971, based on Aldous Huxley’s The Devils of Loudun and John Whiting’s stage play The Devils ) shocked censors and titillated international audiences that the concept of nunsploitation took off.

Perverted, possessed, and/or evil nun stories have likely been around as long as Catholic women have donned the habit and pledged themselves to God.

Pandemonium movie youtube